Meet The Screenwriter: Brad Ingelsby Talks About Rewriting The “Hold Onto Me” Script

BradIngelsbyPart 5 of Scott Myres interview with Brad Ingelsby went up over on his blog “Going Into The Story”. Brad spoke about the rewriting process and how “Hold Onto Me” was revised extensively.

Here is an excerpt from Part 5:

Scott:  When you finish a first draft and you’re faced with the inevitable rewriting process, are there some keys you have or approaches you use to bring that script home?

Brad:  I think it really varies with each script. With “Run All Night” we actually didn’t do a lot of rewriting at all. I felt the script was in a good place and my manager, Brooklyn, and my agent, Mike, agreed. We got Roy Lee involved. He was a great advocate and believer and he submitted it to Warner Brothers.

With “Hold on to Me” that was a much larger revision. The initial draft was 150 pages long. It was a real ‘Boogie Nights’ style epic that took place over a number of decades. In earlier drafts we showed a lot Nancy growing up, as a young girl and then as a teenager, in an attempt to introduce the audience to her world, her stage mother, her absent father. We wanted the audience to understand why Nancy wanted so desperately to break away. Because the movie gets dark and Nancy’s desire to break away leads her down a really really dark path, we had to understand her and sympathize with her. CareyMulliganAsDaisy
So when she finally does go down that dark path the audience doesn’t lose her. They remember that pageant girl getting her hair done inside a shitty bathroom by her mother. They remember the girl everyone called a slut at the country club. Without those scenes the audience loses sympathy and then the movie’s over. Everyone’s walking out of the theater because they think she’s a monster. So those scenes of Nancy as a youngster were incredibly important, but we had to pick and choose the ones that were most important. And James Marsh was particularly great at picking the gems.

I think it varies, really. I don’t have a method of going back in and looking at stuff. It’s just dealing with, “What’s this story about?” and if a scene or a character or a sequence isn’t aiding us in that character’s journey then we need to get rid of it.

Be sure to check out Brad’s earlier mention of “Hold On To Me” in Part 3 of this interivew HERE

The full interview is well worth a read . Click the links below to read the entire thing: